| Formatted Contents Note: |
Part 1: An expanded perspective -- 1. Five terms in serach of a synthesis -- 2. A cross-cultural perspective on the significance of music and dance to culture and society: Insight from BaYaka Pygmies -- 3. Cross-cultural universals and communication structures -- Part 2: Action, emotion, and the semantics -- 4. Shared meaning, mirroring, and joint action -- 5. Emotion in action, interaction, music, and speech -- 6. Neural correlates of music perception 7. Film music and the unfolding narrative -- 8. Semantics of internal and external worlds -- Part 3: Structure -- 9. The infrasture of the planguage-ready brain -- Musical syntax and its phonetics, phonology, and prosody -- 12. Multiple levels of structure in language and music -- Part 4: Integration -- Neural mechanisms of music, singing, and dancing -- 13. Sharing and nonsharing of brain resources for language and music -- 15. Action, language, and music: Events in time and models of the brain -- 16. Computational modeling of mind and music -- 17. The neurobiology of language, speech, and music -- Part 5: Development, evolution, and culture -- 18. Communication, music, and language in infancy -- 19. Evolving the language- and music-ready brain -- 20. Birdsong and other animal models for human speech, song, and vocal learning -- 21. Culture and evolution. |
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